At 7:35 A.M, you lay your tired body on mine
before peeling off, like a slow band-aid.

At 8:40 you sprint home and make instant coffee.

At 9:45 we finally drink it, cold.
I finish your leftover half.

By 10:50 you are already breathless.
I live for every time we overlap.

When 11:55 comes I spend the entire minute convincing you to stay.
You never do.

By noon I put my hands on your shoulders and say, “Baby,
you’re getting thin. All this running in circles and barely sitting down to eat.”

At 1:05 you tell me that while you were gone,
15,300 babies were born.

At 2:10 you don’t say a word,
just come in and kiss me for sixty seconds straight.

At 3:15 we sit quiet, listening to rain falling everywhere
in the world at once: all 15,000 tons.

At 4:20 we pull a little from the tight joint I keep behind your ear.
You do not inhale.

At 5:25 you meet me for happy hour.
My neck already salted, a lime wedged in my teeth,
a shot of tequila sitting on the bar.

At 6:30 I hear the ticking.
I count your heartbeat like seconds between thunderclaps.

By 7:35 I can see you in the distance,
each second a tease until you drape over me.
We always love quick and you never let me hold you.
I dream of drinking you through a straw.

At 8:40 you watch my beard grow 0.00027 of an inch.

At 9:45 we do not speak.
Too many people have died since we last met.

At 10:50 we pray for a meteor,
at least a clumsy kid to spill sugar in our gears.

11:55 is my favorite.
We’re only apart for mere minutes.

But at midnight you’ll apologize sixty times
because it will always be like this.

At 1:04 AM I am already sleeping.
It’s exhausting loving someone
who is constantly running away.

Have you ever lost yourself in a kiss? I mean pure psychedelic inebriation. Not just lustful petting but transcendental metamorphosis when you became aware that the greatness of this being was breathing into you. Licking the sides and corners of your mouth, like sealing a thousand fleshy envelopes filled with the essence of your passionate being and then opened by the same mouth and delivered back to you, over and over again - the first kiss of the rest of your life. A kiss that confirms that the universe is aligned, that the world’s greatest resource is love, and maybe even that God is a woman. With or without a belief in God, all kisses are metaphors decipherable by allocations of time, circumstance, and understanding.

That is my problem with life, I just rush through it, like I’m being chased. Even things whose whole point is slowness, like drinking relaxing tea. When I drink relaxing tea I suck it down like I’m in a contest for who can drink relaxing tea the quickest.

In lying to others we end up lying to ourselves. We deny the importance of an event, or a person, and thus deprive ourselves of a part of our lives. Or we use one piece of the past or present to screen out another. Thus we lose faith even with our own lives.

The word passion comes from the root word “patior,” meaning to suffer. To feel deeply we cannot avoid pain.

This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals—sounds that say listen to this, it is important.

Your handwriting. The way you walk. Which china pattern you choose. It’s all giving you away. Everything you do shows your hand. Everything is a self portrait. Everything is a diary.